Indian Painting during the Mughal's reign period
Mughal painting is a particular style of Indian painting, generally confined to illustrations on the book and done in miniatures, and which emerged, developed and took shape during the period of the Mughal Empire 16th -19th centuries). Mughal paintings were a unique blend of Indian, Persian and Islamic styles. Because the Mughal kings wanted visual records of their deeds as hunters and conquerors, their artists accompanied them on military expeditions or missions of state, or recorded their prowess as animal slayers, or depicted them in the great dynastic ceremonies of marriages …
Akbar (1556-1605) was the one who started encouraging of Mughal artista. After he had consolidated his political power, he built a new capital at Fatehpur Sikri where he collected artists from India and Persia . More than a hundred painters were employed, most of whom were Hindus from Gujarat, Gwalior and Kashmir.. They worked under the two Persian master-artists Abdus Samad and Mir Sayyid Ali, but they were encouraged and inspired by Akbar.
The stories of Amir Hamza, an uncle of the Prophet, were illustrated by Mir Sayyid Ali. The paintings of the Hamza-nama are of large size, 20 x 27″ and were painted on cloth. They are in the Persian safavi style. Brilliant red, blue and green colours predominate; the pink, eroded rocks and the vegetation, planes and blossoming plum and peach trees are reminiscent of Persia . However, Indian tones appear in later work, when Indian artists were employed.
After him, Jehangir encouraged artists to paint portraits and durbar scenes. His most talented portrait painters were Abul Hasan and Bishan Das.
Shah Jehan (1627-1658) continued the patronage of painting. Some of the famous artists of the period were Mohammad Faqirullah Khan, Mir Hashim, Muhammad Nadir, Bichitr, Chitarman, Anupchhatar, Manohar and Honhar.
Aurangzeb had no taste for fine arts. Due to lack of patronage artists migrated to Hyderabad in the Deccan and to the Hindu states of Rajasthan in search of new patrons.
During the reign of Shah Jahan (1628-58), Mughal paintings continued to develop, but they gradually became cold and rigid. Themes including musical parties; lovers, sometimes in intimate positions, on terraces and gardens; and ascetics gathered around a fire, abound in the Mughal paintings of this period.
The Decline of Mugal paintings:-
Aurangzeb (1658-1707) did not actively encourage Mughal paintings, but as this art form had gathered momentum and had a number of patrons, Mughal paintings continued to survive, but the decline had set in. Some sources however note that a few of the best Mughal paintings were made for Aurangzeb, speculating that the painters may have realized that he was about to close the workshops and thus exceeded themselves in his behalf.
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