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Today Is Birthday Of Mirza Ghalib.

 
Ghalib Mirza Asadullah Khan Mirza Asadullah Beg Khan -- known to posterity as Ghalib, a `nom de plume' he adopted in the tradition of all classical Urdu poets, was born in the city of Agra, of parents with Turkish aristocratic ancestry. Both his father and uncle died while he was still young, and he spent a good part of his early boyhood with his mother's family. This, of course, began a psychology of ambivalences for him. On the one hand, he grew up relatively free of any oppressive dominance by adult, male-dominant figures. This, probably accounts for at least some of the independent spirit he showed from very early childhood. On the other hand, this placed him in the humiliating situation of being socially and economically dependent on maternal grandparents, giving him, one can surmise, a sense that whatever worldly goods he received were a matter of charity and not legitimately his. His pre-occupation in later life with finding secure, legitimate, and comfortable means of livelihood can be perhaps at least partially understood in terms of this early uncertainity.

The question of Ghalib's early education has often confused Urdu scholars. Although any record of his formal education that might exist is extremely scanty, it is also true that Ghalib's circle of friends in Delhi included some of the most eminent minds of his time. There is, finally, irrevocably, the evidence of his writings, in verse as well as in prose, which are distinguished not only by creative excellence but also by the great knowledge of philosophy, ethics, theology, classical literature, grammar, and history.


In or around 1810, two events of great importance occured in Ghalib's life: he was married into a well-to-do, educated family of nobles, and he left for Delhi. One must remember that Ghalib was only thirteen at the time. It is impossible to say when Ghalib started writing poetry. Perhaps it was as early as his seventh or eight years. On the other hand, there is evidence that most of what we know as his complete works were substantially completed by 1816, when he was 19 years old, and six years after he first came to Delhi. We are obviously dealing with a man whose maturation was both early and rapid. We can safely conjecture that the migration from Agra, which had once been a capital but was now one of the many important but declining cities, to Delhi, its grandeur kept intact by the existence of the moghul court, was an important event in the life of this thirteen year old, newly married poet who desparately needed material security, who was beginning to take his career in letters seriously, and who was soon to be recognized as a genius, if not by the court, at least some of his most important comtemporaries. As for the marriage, in the predominantly male-oriented society of Muslim India no one could expect Ghalib to take that event terribly seriously, and he didn't. The period did, however mark the beginnings of concern with material advancement that was to obsess him for the rest of his life.


He wrote first in a style at once detached, obscure, and pedantic, but soon thereafter he adopted the fastidious, personal, complexly moral idiom which we now know as his mature style. It is astonishing that he should have gone from sheer precocity to the extremes of verbal ingenuity and obscurity, to a style which, next to Meer's, is the most important and comprehensive styles of the ghazal in the Urdu language before he was even twenty. His interest began to shift decisively away from Urdu poetry to Persian during the 1820's, and he soon abandoned writing in Urdu almost altogether.

 

 

 

 

 

 

http://www.poemhunter.com/i/ebooks/pdf/ghalib_mirza_asadullah_khan_2004_9.pdf

 

 

 

 

WARM REGARDS,

Akhtar khatri
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Unki Chaahat Bewafaai kyun Ban Gayi Yeh Savaal 'Akhtar'
Aaj Bhi Khud Unko Bhi Utna Hi Sataata Hoga Yakinan.

 

 

 

 

 

 

 

 

 

 

 

 

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Camel Hump Hair/Hijaab Styles

The Prophet (sal Allahu alaihi wa sallam) said: "There are two types of people of Hell that I have never seen: people with whips like the tails of cattle, with which they strike the people, and women who are dressed but appear naked, walking with an enticing gait, with their heads looking like the humps of camels leaning to one side. They will never enter Paradise, nor even smell its fragrance, although its fragrance can be discerned from such and such a distance." [Muslim]

The Prophet (sal Allahu alaihi wa sallam) mentions two types of people in this hadith whom he did not see in his time, yet foretod about, and who we see in abundance today. This is also one of his miracles, and proofs of his divine messengership. These two types of people who are likely to enter Hell for their sins are:

1. People who strike others with whips that are like the tails of cattle. Imam Qurtubi said: "This type of whip can be seen among us in Morocco until now." Commenting on Qurtubi's remarks, Siddeeq Hasan Khan said: "Indeed, it can be seen in every time and place, and it is increasing day by day among the leaders. We seek refuge with Allah from all that Allah despises." [Islamic Creed Series: Paradise and Hell by Umar S. al-Ashqar]

2. Corrupt women who make a display of themselves and tempt men, and never obey Allah (subhana wa ta'ala). Nowadays there are many women who are dressed but appear naked, although perhaps this phenomenon has never been quite so widespread as it is now.

We should also beware of adopting hair styles or Hijaab fashions in which the hair is piled on top of the head or the head scarf is layered and hair clips are used to create big, camel hump Hijab styles.

Care should also be taken to walk in a way that does not attract attention to us. High heels, particularly pin-point heels, should be avoided since they make the waist sway and the woman's gait additionally enticing to men. High heels involve deception along with Tabarrauj (display of beauty) because they make a woman appear taller than she really is and her posterior more prominent. Shoes that produce noise should also be avoided. 

In the name of equality women have been brainwashed to work for their own keep, go out daily while dressed in a provocative manner to satisfy the lust of men, and take care of their own defence, while having children, raising them and taking care of the housework. But Allah (subhana wa ta'ala) does not place this burden on women. He (subhana wa ta'ala) orders men to do the running around for the livelihood, to take the responsibility for their keep and safety, and frees women from having to mingle among men. She should do her part and not try to be a Fitna in society.
 

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Bismillah Walhamdulillah Was Salaatu Was Salaam 'ala Rasulillah
 
As-Salaam Alaikum Wa-Rahmatullahi Wa-Barakatuhu

Narrated Abu Qatada bin Rib'i Al-Ansari (Radi-Allahu 'anhu):

A funeral procession passed by Allah's Apostle (Sallallahu 'Alaihi Wa
Sallam) who said, "Relieved or relieving?" The people asked, "O Allah's
Apostle! What is relieved and relieving?" He said, "A believer is relieved
(by death) from the troubles and hardships of the world and leaves for the
Mercy of Allah, while (the death of) a wicked person relieves the people,
the land, the trees, (and) the animals from him."

Bukhari Vol. 8 : No. 519

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Bismillah Walhamdulillah Was Salaatu Was Salaam 'ala Rasulillah
 
As-Salaam Alaikum Wa-Rahmatullahi Wa-Barakatuhu

Narrated Abu Qatada bin Rib'i Al-Ansari (Radi-Allahu 'anhu):

A funeral procession passed by Allah's Apostle (Sallallahu 'Alaihi Wa
Sallam) who said, "Relieved or relieving?" The people asked, "O Allah's
Apostle! What is relieved and relieving?" He said, "A believer is relieved
(by death) from the troubles and hardships of the world and leaves for the
Mercy of Allah, while (the death of) a wicked person relieves the people,
the land, the trees, (and) the animals from him."

Bukhari Vol. 8 : No. 519




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***1363...Nigaheen...Pak Old***
Hazaroon manzeleen hoon gi
Hazaroon kaarwaan hoon gey
Nigaheen ham ko dhundheen gi
Najaney ham kahan hoon gey

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Ek Sharabi full tight hokar ghar jaa raha tha.
Raaste me mandir ke baahar pujaridikha. Sharabi n pujari se poocha,
sabse bada kaun? Pujaari ne peecha chudane ke liye kaha"Mandir Bada". Sharabi bola"Mandir bada toh dharti pe kaise khada"
Pujari: " Dharti badi" Sharabi:"Dharti badi toh Sheshnaag pe kyun khadi" Pujari" "Sheshnaag bada" Sharabi: "Sheshnaag bada toh Shiv ke gale me kyon pada" Pujari: "Shiv bada" Sharabi: "Shiv bada toh Parbat par kyon khada"
Pujari: "Parbat bada" Sharabi:"Parbat bada toh Hanuman ki unglipe kyon pada" Pujari: "Hanuman bada"
Sharabi: "Hanuman bada toh Ram ki charno me kyon pada"
Pujari: "Ram bada" Sharabi: " Ram bada toh Ravan ke piche kyun pada"
Pujari: "arey mere baap tu bata kaun bada"
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Sharabi: "Is duniya me woh bada jo puri bottle pee ke apni taango pe khada" :D:O
 
 
 
Thanks & Regards,
Vikas Yadav
 
Everything has been figured out, except how to live.

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Britney Spears - Live In Hawaii - HD 1080p - 1Link


britney-spears.jpg


Hawaii Concert


Download Links
http://filmdownload1.com/britney-spears-live-in-hawaii-concert-hd-1080p/






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