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R~U~K~H~S~A~N~A - we are different from Others !!!...
 
YAADEN !
 
Kisi Roz Tum Ko Bhi Meri Bohot Yaad Aay Gee
Mager Us Din Bohot Dair Ho Jay Gee,

Tum Milna Chaho Gee Mager Mujh Ko Daikh Na Pao Gee
Tum Dhoondo Gee Mujhe Mager Talaash Na Kar Pao Gee,

Tum Tarpo Gee Meri Yaad Main Aor Aansu Bahao Gee
Mujhe Daikhy Bina Ik Pal Bhi Na Reh Pao Gee,

Meri Yaad Mein Tum Gum Sum Ho Jao Gee
Khud Apni Gali Ka Pata Bhi Bhool Jao Gee,

Mere Tasawur Mein Tum Aisy Kho Jao Gee
Koi Pukary Ga" Tum Meri He Batain Dohrao Gee,

Aor Main Door Khara Teri Bechaini Ko Daekhta Rahon Ga
Aor Tum Kuchh Pal K Liye Mujh Se Khafa Ho Jao Gee,

Aor Main Teri Bikhri Zulfon Ko Sunwaron Ga
Aor Tum Sharma Kar Mere Galy Se Lag Jao Gee,

Aor Phir Jab Tum Rooth Kar Kahin Door Chali Jao Gee
Us Din Main Phir Tum Se Yahi Baat Kahon Ga,

Kisi Roz Tum Ko Bhi Meri Bohot Yaad Aay Gee !
 
     Shahnaaz
 
 
 
 
 
 
 

 
. .                                             

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A Touching Poem......
 
I went to a party Mom,
I remembered what you said.
You told me not to drink, Mom,
So I drank soda instead.

I really felt proud inside, Mom,
The way you said I would.
I didn't drink and drive, Mom,
Even though the others said I should.

I know I did the right thing, Mom,
I know you are always right.
Now the party is finally ending, Mom,
As everyone is driving out of sight.

As I got into my car, Mom,
I knew I'd get home in one piece.
Because of the way you raised me,
So responsible and sweet..

I started to drive away, Mom,
But as I pulled out into the road,
The other car didn't see me, Mom,
And hit me like a load.

As I lay there on the pavement, Mom,
I hear the policeman say,
"The other guy is drunk," Mom,
And now I'm the one who will pay.

I'm lying here dying, Mom....
I wish you'd get here soon.
How could this happen to me, Mom?
My life just burst like a balloon..

There is blood all around me, Mom,
And most of it is mine.
I hear the medic say, Mom,
I'll die in a short time.

I just wanted to tell you, Mom,
I swear I didn't drink.
It was the others, Mom.
The others didn't think.

He was probably at the same party as I.
The only difference is, he drank
And I will die.

Why do people drink, Mom?
It can ruin your whole life.
I'm feeling sharp pains now.
Pains just like a knife.

The guy who hit me is walking, Mom,
And I don't think it's fair.
I'm lying here dying
And all he can do is stare.

Tell my brother not to cry, Mom.
Tell Daddy to be brave.
And when I go to heaven, Mom,
Put "GOOD BOY " on my grave.

Someone should have told him, Mom,
Not to drink and drive.
If only they had told him, Mom,
I would still be alive.

My breath is getting shorter, Mom.
I'm becoming very scared.
Please don't cry for me, Mom.
When I needed you, you were always there.

I have one last question, Mom.
Before I say good bye.
I didn't drink and drive,
So why am I the one to die?


Someone took the effort to write this poem. So please, forward this
to as many people as you can. And see if we can get a chain going
around the world that will make people understand that don't mix drinking
and driving.
PLEASE DO THE FAVOR
!!!!
.                                             
 
     Shahnaaz

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to nitin ji
what a coincidense; i rang up just 5 minutes ago to the head of the vidyapeth university in pune asking for a private tutor of sanskrit who could come to my house to teach me ; & just now i find you on the computer as exotic india. thus god has decreed that you will be my teacher & guru; for q & a.
1.the faces of pandits WEREshining in those days as they lived in a time of simple healthy diet plus the glow which comes when sitting in front of the sacrificial fire often.
then when bad times came to the pandits for their greed; their came into their faces a sort of fear & guilt which was the cause of some of them having sunken cheeks 
2.there was a definate enquiry in those days about whether there is a after life or not ;which they finally concluded that there was a past present & future. how else could the deformities of young children or other tragedies be explained
3.re the sacrificial fire to be kept neither in the heaven or earth, it means that literally the fire shoud be on a raised way so air can enter from the bottom to keep the fire alive.  the real meaning is that the sacrificial article is actually to rid oneself of  BAD THOUGHTS 0R BAD INTENTIONS 
 
now nitin ji friend & guru
i have 2 questions
1. the REAL meaning of  AUM
2.meaning of the SWASTIKA which is found also in many old civilisations like egypt,norway,mesopotamia etc
pl give your tel no if you wish. my no is  09766594544 in pune  

From: Exotic India <info@exoticindia.com>
To: om.pune@yahoo.in
Sent: Tuesday, 17 April 2012 12:36 PM
Subject: Hyperbole in the Vedas: A Study in Arthavada
Hyperbole in the Vedas: A Study in Arthavada
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APRIL 2012
ARTICLE OF THE MONTH
 
Hyperbole in the Vedas: A Study in Arthavada
 
Even for the most ardent follower of the Veda, it is difficult to reconcile to some seemingly exaggerated statements, which cannot be substantiated by any means of knowledge available to us. Even immense faith is not sufficient to explain away such sentences, some of which are downright unbelievable. What then is the traditional method of understanding these portions of the Veda? What is the general purpose of such statements? To answer these questions, let us first take a look at some of the sentences which perplex the followers of the Veda.
 
1). 'The face of one who knows how to perform sacrifices shines up brightly.' (Tandaya Mahabrahman 20.16.6)
 
Objection: This is not always the case. We do not always see the faces of knowledgeable people to be bright. Rather, in case they are not shown proper respect, many of them are seen with sucked up cheeks, the exact opposite of what is implied above.
 
Resolution: No. It is not to be understood in this way. We should first understand that any sentence can convey its meaning in either of two ways: either literally or through an indirectly stated intended meaning. The latter is known in Sanskrit as Lakshana, and is the most important tool in grasping the ultimate purport of the scriptures.
 
Here actually what we are witnessing is an appreciation of knowledge. The true purport here is to make us realize that if the mere knowledge of a sacrifice can make one's face glow brightly, then imagine what immense benefit can be gained from actually performing the sacrifice! Thus in an indirect manner this statement is an intended praise for performing Vedic sacrifices. This method of indirect communication is known as Arthavada (statement of an intended purpose). Indeed, without a working knowledge of Arthavada, it is impossible to make any progress in the study of Vedic scriptures.
 
2). 'Who knows whether there is a world beyond or not.' (Black Yajurveda, Taittriya Samhita 6.1.1.1)
 
Objection: The whole Vedic philosophy operates on the basis of the fact that there is a world beyond the present one. In fact, the very aim of most Vedic sacrifices is to gain heaven for the performer. The above statement hits out at the very foundations of our Vedic beliefs.
 
Resolution: During a Vedic sacrifice, a particular space is marked out for its performance. Such an enclosure is known as Yajna-shala. While the sacrifice is going on, this enclosure gets filled with smoke, which makes it difficult for the Brahmins chanting the Mantras to breathe. In order to provide some relief, the Vedas order that we make a door acting as an outlet for the smoke.
 
Now, the purpose of this Vedic sacrifice is to gain heaven for the master of the ceremony (Yajamana). However, this heaven is to be gained only after we die; but here, in this sacrificial ground, by inhaling the smoke through our mouths and nostrils, we are sure to meet death here and now itself (even before completing the sacrifice). Hence an outlet for the smoke should be constructed.
 
The above statement does not actually cast an aspersion on a well-entreched Vedic belief, but rather, through the criticism of the long term result, jolts us into performing what is of immediate necessity.
 
It must clearly be understood that taken by itself this Arthavada statement holds no meaning; i.e. we cannot deduce here that the Vedas are sometimes postulating the existence of heaven, and at another time doubting it. This Arthavada reveals its intended meaning only when it is combined with the injunction to build a gate in the sacrificial enclosure, the purport being to show us the importance of this doorway to relief.
 
3). 'By performing the final offering of the sacrifice (Purna Aahuti), the performer fulfills all his desires.' (Taittriya Brahman 3.8.10.5)
 
Objection: If just by performing the complete offering at the end of a sacrifice, the performer gains all that he wants, what then about the Vedic injunction that one should perform sacrifices as long as one lives?
 
Resolution: This Arthavada supports the Vedic dictum that one should invariably perform the Purna-Aahuti at the end of a sacrifice (Purna-Aahutim Juhuyat). This action has been praised as fulfilling all the desires of the sacrificer.
 
However, the intended meaning of the statement is as follows: When it is said in daily life that 'feed all Brahmins', it does not mean that we feed all Brahmins in the world. Rather, it implies the feeding of all Brahmins present there. Thus the fulfilling of all desires by the Purna-Aahuti indicates only those desires which the Yajamana was supposed to fulfill through that particular sacrifice. The implication being that no sacrifice is complete unless one has made the Purna-Aahuti (the full and final oblation at the end of a sacrifice).
 
Actually, any Vedic sacrifice which has been begun needs to be taken to its conclusion. A Vedic Karma leads to fruits only if it has been fully completed, including all its subsidiary parts (Angas). An incomplete Yajna is fruitless. Offering Purna-Aahuti after all the other parts of the sacrifice have been duly performed indicates the successful completion of the exercise. Therefore, a Purna-Aahuti is decreed to be performed at the end of all sacrifices.
 
Thus the statement praising the Purna-Aahuti as the giver of all desires is an Arthavada implying its necessity for the successful reaping of the fruits of any Vedic sacrifice. For example, when the Gita extols to live our lives as a Yajna, at the end, when our mortal body is consigned to fire, it is our own Purna-Aahuti.
 
4). 'The sacrificial fire should not be set up in the sky or in the heavens, and neither should it be established on the earth.' (Black Yajurveda, Taittriya Samhita 5.2.7.1) Doubt: If we should not set up the sacred fire on the earth, then where should we establish it? Also, what is the need of prohibiting the sky and heavens for setting up of the sacrificial fire when in any case it is impossible to do so?
 
Resolution: This Arthavada prohibiting the laying down of the sacred fire in the sky, heaven or earth actually supports the following Vedic injunction:
'The sacred fire should be established on a support made of gold.' (Black Yajurveda, Maitrayani Samhita, 3.2.6)
 
Thus the purported meaning of the Arthavada passage turns out to be as follows: Just as the laying of fire is known to be impossible in the sky or heaven, so also is it on the bare ground, without the support of gold. Hence the sky and heaven denote impossibility, while the word 'earth' denotes 'bare earth'. Therefore, the actual meaning of this Arthavada lies in inspiring us to establish the sacred Vedic fire on a plate of gold rather than on the bare ground itself.
 
5). The mind is a thief, and speech a liar. (Black Yajurveda, Maitrayani Samhita, 4.5.2)
Doubt: As per the Vedas, the mind and the speech are the most significant organs in the body. In fact, all sense organs are said to follow the mind only. According to the maxim of the Gita, the lesser ones follow what the great ones do (3.21). So would this not imply that the other sense organs too would resort to these negative traits? If yes, it would then contradict the universal Vedic principles 'Never steal' and 'Never lie'.
 
Resolution: The above Arthavada statement deprecating the mind and speech supports a particular Vedic injunction which concerns gathering water from a river during the performance of a sacrifice. It is decreed there that one should collect water holding a piece of gold in one's hand. The criticism directed at the two sense organs operates in a secondary sense (Gauna-Vritti), meaning that it should not be taken in literal terms; rather as an intention to praise the hand as the best means for holding the gold. This is its one and only meaning.
 
The secondary sense means describing one object in terms of another, due to some similarities in qualities (Gunas). Thus the mind is called a thief because like the latter it too operates hidden from sight. The speech is called a liar because it is but true that human speech often lies.
 
To more fully understand this Arthavada, we need to first understand how any action is performed in our daily lives. Ordinarily, whenever some action has to be performed, what we first do is to form a determination in our mind to perform that particular action. Then we can also express it by speech, which may or may not present the true picture. Afterwards, we actually perform it with our hands. In this sequence, we realize that it is only the actual performance of the deed that is of the most consequence. Whatever we may have thought or said about the action pales in significance to its actual performance, which is the only thing that matters. This particular example holds a great relevance even in a general sense in as much as it stresses that whatever we say or think is of secondary importance compared to what we actually set out to do with our hands. Here specifically it lauds the actual action of holding the gold piece in our hand.
 
Conclusion:
 
The reconciliation of the above Vedic statements is enlightening in its method and inspirational in its impact. In the process we get a panoramic view of the traditional and most authoritative way of interpreting the Vedas, which clears away all our doubts, making us relish the nectar of the Vedas in all their inspiring and sweet glory.
 
(This article is almost entirely based on Shabara Swami's Commentary on the Mimamsa Sutras of Jaimini and Sayanacharya's Introduction to the Rig Veda. Without these towering giants it would have been impossible for anyone to get to the true import of the Vedas).
 
 

Warm Regards,

Nitin Kumar
Editor, Exotic India
 
 
References & Further Reading:
 
This email is our monthly article on Indian Art,
Philospohy, and Religion.
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Indian Arts and Crafts
New Delhi
 

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Enjoy your stay at Rukhsana Group.

Moderators Rukhsana Group:
Aika Rani, Mumtaz Ali, Sitara Ansari, Lilly, Akhtar,
Contact us at: Aika_Rani@Yahoo.Com
Rukhsana-owner@yahoogroups.com 
**********************************                      
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__,_._,___
 

Hyperbole in the Vedas: A Study in Arthavada
Even for the most ardent follower of the Veda, it is difficult to reconcile to some seemingly exaggerated statements, which cannot be substantiated by any means of knowledge available to us. Even immense faith is not sufficient to explain away such sentences, some of which are downright unbelievable. What then is the traditional method of understanding these portions of the Veda? What is the general purpose of such statements? To answer these questions, let us first take a look at some of the sentences which perplex the followers of the Veda.
1). 'The face of one who knows how to perform sacrifices shines up brightly.' (Tandaya Mahabrahman 20.16.6)
Objection: This is not always the case. We do not always see the faces of knowledgeable people to be bright. Rather, in case they are not shown proper respect, many of them are seen with sucked up cheeks, the exact opposite of what is implied above.
Resolution: No. It is not to be understood in this way. We should first understand that any sentence can convey its meaning in either of two ways: either literally or through an indirectly stated intended meaning. The latter is known in Sanskrit as Lakshana, and is the most important tool in grasping the ultimate purport of the scriptures.
Here actually what we are witnessing is an appreciation of knowledge. The true purport here is to make us realize that if the mere knowledge of a sacrifice can make one's face glow brightly, then imagine what immense benefit can be gained from actually performing the sacrifice! Thus in an indirect manner this statement is an intended praise for performing Vedic sacrifices. This method of indirect communication is known as Arthavada (statement of an intended purpose). Indeed, without a working knowledge of Arthavada, it is impossible to make any progress in the study of Vedic scriptures.
2). 'Who knows whether there is a world beyond or not.' (Black Yajurveda, Taittriya Samhita 6.1.1.1)
Objection: The whole Vedic philosophy operates on the basis of the fact that there is a world beyond the present one. In fact, the very aim of most Vedic sacrifices is to gain heaven for the performer. The above statement hits out at the very foundations of our Vedic beliefs.
Resolution: During a Vedic sacrifice, a particular space is marked out for its performance. Such an enclosure is known as Yajna-shala. While the sacrifice is going on, this enclosure gets filled with smoke, which makes it difficult for the Brahmins chanting the Mantras to breathe. In order to provide some relief, the Vedas order that we make a door acting as an outlet for the smoke.
Now, the purpose of this Vedic sacrifice is to gain heaven for the master of the ceremony (Yajamana). However, this heaven is to be gained only after we die; but here, in this sacrificial ground, by inhaling the smoke through our mouths and nostrils, we are sure to meet death here and now itself (even before completing the sacrifice). Hence an outlet for the smoke should be constructed.
The above statement does not actually cast an aspersion on a well-entreched Vedic belief, but rather, through the criticism of the long term result, jolts us into performing what is of immediate necessity.
It must clearly be understood that taken by itself this Arthavada statement holds no meaning; i.e. we cannot deduce here that the Vedas are sometimes postulating the existence of heaven, and at another time doubting it. This Arthavada reveals its intended meaning only when it is combined with the injunction to build a gate in the sacrificial enclosure, the purport being to show us the importance of this doorway to relief.
3). 'By performing the final offering of the sacrifice (Purna Aahuti), the performer fulfills all his desires.' (Taittriya Brahman 3.8.10.5)
Objection: If just by performing the complete offering at the end of a sacrifice, the performer gains all that he wants, what then about the Vedic injunction that one should perform sacrifices as long as one lives?
Resolution: This Arthavada supports the Vedic dictum that one should invariably perform the Purna-Aahuti at the end of a sacrifice (Purna-Aahutim Juhuyat). This action has been praised as fulfilling all the desires of the sacrificer.
However, the intended meaning of the statement is as follows: When it is said in daily life that 'feed all Brahmins', it does not mean that we feed all Brahmins in the world. Rather, it implies the feeding of all Brahmins present there. Thus the fulfilling of all desires by the Purna-Aahuti indicates only those desires which the Yajamana was supposed to fulfill through that particular sacrifice. The implication being that no sacrifice is complete unless one has made the Purna-Aahuti (the full and final oblation at the end of a sacrifice).
Actually, any Vedic sacrifice which has been begun needs to be taken to its conclusion. A Vedic Karma leads to fruits only if it has been fully completed, including all its subsidiary parts (Angas). An incomplete Yajna is fruitless. Offering Purna-Aahuti after all the other parts of the sacrifice have been duly performed indicates the successful completion of the exercise. Therefore, a Purna-Aahuti is decreed to be performed at the end of all sacrifices.
Thus the statement praising the Purna-Aahuti as the giver of all desires is an Arthavada implying its necessity for the successful reaping of the fruits of any Vedic sacrifice. For example, when the Gita extols to live our lives as a Yajna, at the end, when our mortal body is consigned to fire, it is our own Purna-Aahuti.
4).'The sacrificial fire should not be set up in the sky or in the heavens, and neither should it be established on the earth.' (Black Yajurveda, Taittriya Samhita 5.2.7.1) Doubt: If we should not set up the sacred fire on the earth, then where should we establish it? Also, what is the need of prohibiting the sky and heavens for setting up of the sacrificial fire when in any case it is impossible to do so?
Resolution: This Arthavada prohibiting the laying down of the sacred fire in the sky, heaven or earth actually supports the following Vedic injunction:
'The sacred fire should be established on a support made of gold.' (Black Yajurveda, Maitrayani Samhita, 3.2.6)
Thus the purported meaning of the Arthavada passage turns out to be as follows: Just as the laying of fire is known to be impossible in the sky or heaven, so also is it on the bare ground, without the support of gold. Hence the sky and heaven denote impossibility, while the word 'earth' denotes 'bare earth'. Therefore, the actual meaning of this Arthavada lies in inspiring us to establish the sacred Vedic fire on a plate of gold rather than on the bare ground itself.
5). The mind is a thief, and speech a liar. (Black Yajurveda, Maitrayani Samhita, 4.5.2)
Doubt: As per the Vedas, the mind and the speech are the most significant organs in the body. In fact, all sense organs are said to follow the mind only. According to the maxim of the Gita, the lesser ones follow what the great ones do (3.21). So would this not imply that the other sense organs too would resort to these negative traits? If yes, it would then contradict the universal Vedic principles 'Never steal' and 'Never lie'.
Resolution: The above Arthavada statement deprecating the mind and speech supports a particular Vedic injunction which concerns gathering water from a river during the performance of a sacrifice. It is decreed there that one should collect water holding a piece of gold in one's hand. The criticism directed at the two sense organs operates in a secondary sense (Gauna-Vritti), meaning that it should not be taken in literal terms; rather as an intention to praise the hand as the best means for holding the gold. This is its one and only meaning.
The secondary sense means describing one object in terms of another, due to some similarities in qualities (Gunas). Thus the mind is called a thief because like the latter it too operates hidden from sight. The speech is called a liar because it is but true that human speech often lies.
To more fully understand this Arthavada, we need to first understand how any action is performed in our daily lives. Ordinarily, whenever some action has to be performed, what we first do is to form a determination in our mind to perform that particular action. Then we can also express it by speech, which may or may not present the true picture. Afterwards, we actually perform it with our hands. In this sequence, we realize that it is only the actual performance of the deed that is of the most consequence. Whatever we may have thought or said about the action pales in significance to its actual performance, which is the only thing that matters. This particular example holds a great relevance even in a general sense in as much as it stresses that whatever we say or think is of secondary importance compared to what we actually set out to do with our hands. Here specifically it lauds the actual action of holding the gold piece in our hand.
Conclusion:
 
The reconciliation of the above Vedic statements is enlightening in its method and inspirational in its impact. In the process we get a panoramic view of the traditional and most authoritative way of interpreting the Vedas, which clears away all our doubts, making us relish the nectar of the Vedas in all their inspiring and sweet glory.
(This article is almost entirely based on Shabara Swami's Commentary on the Mimamsa Sutras of Jaimini and Sayanacharya's Introduction to the Rig Veda. Without these towering giants it would have been impossible for anyone to get to the true import of the Vedas).

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Safar Mein Guzri Hai Umar Apni, Ab Ik Thikana Chahiye,
Ke Zinda Rehne Ko Koi To Bahana Chahiye,
Koi To Ho Jo In Rasmon Se Elaan-E-Baghawat Kare,
Kahi To Andhere Mein Koi Chirag Jalana Chahiye,
Kab Se Veeran Pada Hai Ye Aaina–e–dil,
Sochta Hoon Ab Koi Naya Chehra Sajana Chahiye,
Bohat Muddat Se Muntazir Hai Mere Desh Ki Matti,
Shayad Ke Ab Mujhe Lout Ke Ghar Jana Chahiye,
Mujhe Fakat Usi Ke Sath Ki Tamana Thi Nawaz,
Magar Use Mere Sath-Sath Sara Zamana Chahiye.

Hindi Version

सफ़र में गुजरी है उम्र अपनी, अब इक ठिकाना चाहिए,
के जिंदा रहने को कोई तो बहाना चाहिए,
कोई तो हो जो इन रस्मों से एलान-इ-बघवत करे,
कही तो अँधेरे में कोई चिराग जलना चाहिए,
कब से वीरान पड़ा है ये आइना–इ–दिल,
सोचता हूँ अब कोई नया चेहरा सजाना चाहिए,
बोहत मुद्दत से मुन्तजिर है मेरे देश की मट्टी,
शायद के अब मुझे लौट के घर जाना चाहिए,
मुझे फकत उसी के साथ की तमना थी नवाज़,
मगर उसे मेरे साथ-साथ सारा ज़माना चाहिए।
rana
Abhi toh haath mein jaam hai
Tohba kitna kaam hai
Kabhi mili fursat toh 
Bhai dekha jayega
Duniya ke baarey mein  Socha jayega

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Uski Mohabbt Ka Silsila Bhi Kya Ajib Silsila Tha,
Apna Bhi Na Banaya, Kisi Ka Hone Bhi Nahi Diya.

Hindi Version

उसकी मोहब्बत का सिलसिला भी क्या अजीब सिलसिला था,
अपना भी न बनाया, किसी का होने भी नहीं दिया।
rana
Abhi toh haath mein jaam hai
Tohba kitna kaam hai
Kabhi mili fursat toh 
Bhai dekha jayega
Duniya ke baarey mein  Socha jayega

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Suna he log usse aankh bhar ke dekhte hen
So us ke shehr men kuch din thehr ke dekhte hen

Suna he rabt he us ko kharab haalon se

So apne aap ko bar-baad kar ke dekhte hen

Suna he dard ki gahak hen chashm-e nazuk us ki
So ham bhi us ki gali se guzar ke dekhte hen

Suna he us ko bhi he shaer-o shayari se shaghaf
So ham bhi mojzay apnay hunar ke dekhte hen

Suna he bolen to baaton se phool jharhtay hen
Ye baat he to chalo baat kar ke dekhte hen

Suna he raat usse chaand tak'ta rehta he
Sitaray baam-e falak se utar k dekhtay hen

Suna he hashar hen us ki ghazaali si aankhain
Suna he us ko hiran dasht bhar ke dekhte hen

Suna he din ko usse titliyan sataati hen
Suna he raat ko jugno thehr ke dekhte hen

Suna he raat se barh kar hen kakulan us ki
Suna he sham ko saae guzar ke dekhte hen

Suna he us ki siyaah chashmagi qiyamat he
usse surma farosh aankh bhar ke dekhte hen

Suna he us ke labon se gulaab jhalakte hen
to ham bahaar par ilzaam dhar ke dekhte hen

Suna he aaina tamsal he jabeen-naaz us ka
Jo saada dill hen ban sanwar ke dekhte hen

Suna he jab se hamail hen us ki gardan men
Mizaaj aur hi laal-o guhar ke dekhte hen

Suna he chashm-e tasavur se dasht-e imkan men
Palang zaawiya us ki kamar ke dekhte hen

Suna he us ke badan ke tarash aisay he
Ke phool apni qabayain qatar ke dekhte hen

Woh sarooqad he magar begul-e muraad nahi
K us shajar pe shagoofay samar ke dekhte hen

Bas ek nigaah se lut'ta he qafila dil ka
So rahrawaan-e tamanna bhi darr ke dekhte hen

Suna hai us ke shabistan se muta'sil he behisht
Makeen udhar ke bhi jalway idhar ke dekhte hen

Rukay to gardishain us ka tawaaf karti hen
Chalay to us ko zamaane thehr ke dekhte hen

Kisay naseeb k be perahan usay dekhay
Kabhi kabhi dar-o deewaar ghar ke dekhte hen

Kahaniyan hi sahi sab mubalghay hi sahi
Agar woh khawb he tabeer kar ke dekhte hen

Ab us ke shehr men thehrain ke kuch kar jayen
Faraz aao sitaaray safar ke dekhte hen











With Best Regards,

 

Mohammad Iqbal,

H.R. Department ,

Nass The Group,

Manama,Kingdom Of Bahrain.

Phone   : +97317725522

mobile  : +97339056265

Fax     : +97317826037

iqbal@aanass.net

iqbalyat@gmail.com

www.nassgroup.com


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